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And then people realise, “Oh, you know, I was doing a perfectly good job of perceiving 3D on my own, thanks.” It’s perhaps possible that the last time you watched a film on your flat television screen, you didn’t start shouting, “BUT HOW AM I SUPPOSED TO KNOW WHO’S IN THE BACKGROUND AND WHO’S IN THE FOREGROUND?! VR replaces the role of the imagination, and for a while that feels like a bonus, a boost. It’s extraordinarily unlikely that Valve or Oculus are going to release their tech at under 0.

The clamour for 3D has always been generated by tech companies, then carried by an excited audience right up until the first time they try it. When you play a game, very little of your mental effort is dedicated to reminding yourself that you’re not actually in the jungle, or surrounded by dinosaurs – you just sink into it, embrace it, and your imagination takes care of the rest.

There will be, just as was the case with the Kinect, some fascinating indie projects.

And without a considerable customer base, any games created needing goggles to be played is never going to see the sales to justify the development. £130 at launch, with Microsoft spending half a billion dollars on advertising, and… Sure, they sold a ton of them, but not nearly enough to make it worth a developer’s time to switch their big franchise over to the device.After this, publishers will not want to waste hundreds of millions on further VR-only projects, but will support a VR mode for their larger games.At that point players will be in the same situation as cinema-goers are now, where major movies are filmed and released in 2D, with a skew-whiff 3D version created in post-production and given a higher entry fee.), or watch films on my four-inch black-and-white television – epics for preference.There was something immensely satisfying about the juxtaposition between Land of the Pharaohs, and that upended shoebox of a room in Jericho.

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In this unprepossessing environment I smoked a water pipe made from a large mayonnaise jar and a length of shower fitment; when I drew on this, the .002-scale plastic soldiers I'd put inside the bong – US Marines as I recall – would roil and moil in a vortex of hash smoke and fluid, looking like the doomed in John Martin's apocalyptic painting The Fall of Babylon.